![]() Then there's more detail you can learn about how a feeling of "tension" or conversely, a feeling of "resolution" can be created when you move between different chords. A magic search term for this basic idea is "harmonizing the major scale", or more broadly "diatonic harmony". That background knowledge will help you recognize and understand the "chord progressions" that get used over and over again in popular music. Super short version: It's useful to understand where chords come from, and why certain chords generally sound like they "fit" together. The first one is excellent on its own, the second one illustrates some of the same ideas on guitar instead of piano, and each subsequent video in this list fleshes things out with more details and longer explanations. If you want a decent crash course on music theory, try the sequence of videos below (from a few different providers). Fortunately my kids all read fluently, and didn't learn to associate music theory with trauma. It's still not easy, because I go blank and forget basics. Years later I began to work with professionals, and realized very swiftly that to communicate effectively - and rehearse efficiently - I'd have to overcome my fear of theory and damn well LEARN. I took up guitar because, according to them, that's all I was good for. My dad and elder brother - both horn players - bullied and humiliated me so much that I refused to play cornet any more, and gave up learning to read the stave. Transposing is very helpful when you work with horn players (to be able to write down and explain their parts, instead of waving a guitar at them, hoping it'll work). You'll be able to communicate easily and quickly with other musically literate musicians, and understand transposition. When you begin recording professionally, it's a huge help to be able to read your part and follow the arrangement you've been hired to perform. Krauss' recording won the 1995 CMA award for "Single of the Year".Theory? Learning it enriches understanding of melody, harmony, chordal structure and rhythm. 2 on the same magazine's Hot Country Singles Sales chart. 3 on the Billboard Hot Country Singles & Tracks chart, and a commercial single reached No. That version, also featured on Krauss' compilation Now That I've Found You: A Collection, peaked at No. After Krauss's cover began to receive unsolicited airplay, BNA Records, the label that had released the album, issued Krauss' version to radio in January 1995. ![]() The single release featured "Charlotte's in North Carolina," one of several previously-unreleased tracks sung by Whitley on the album, as the B-side. ![]() In 1995, Alison Krauss covered the song with the group Union Station for a tribute album to Whitley titled Keith Whitley: A Tribute Album. "He truly sang it from the heart." In 2004, Whitley's original was ranked 12th among CMT's 100 Greatest Love Songs. "Keith did a great job singin' that song," co-composer Schlitz told author Tom Roland. It was the second of five consecutive chart-topping singles for Whitley, who did not live to see the last two, as he died on of alcohol poisoning. ![]() 61, and gradually rose to the top, where it stayed for two weeks at the end of the year. "When You Say Nothing at All" entered the Hot Country Singles chart on September 17, 1988, at No. It is among the best-known hit songs for three different performers: Keith Whitley, who took it to the top of the Billboard Hot Country Singles chart on DecemAlison Krauss, whose version was her first solo top-10 country hit in 1995 and Irish pop singer Ronan Keating, whose version was his first solo single and a chart-topper in the United Kingdom and Ireland in 1999. " When You Say Nothing at All" is a country song written by Paul Overstreet and Don Schlitz. TO PLAY IN THE SAME KEY AS THE FIRST VIDEO IN GCEA TUNING, PUT YOUR CAPO ON THE 3rd FRET!
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